Adoration Of The Saints

Posted by MadScientist (Düsseldorf, Germany) on 15 February 2008 in Art & Design.

Lying in bed, taking my pills and waiting for my infection to end, I'm browsing through my Rome collection and find this photo. It shows a painting in the apse above the altar of Sant'Ambrogio e Carlo al Corso, a church in Rome that we already have visited some weeks ago to have a look at Brandi's great nave painting. The painting I'm presenting you here is different: it's based on a concrete story - and it leaves many details out. The man with gloriole and crucifix is a venerated saint against the Black Death, the plague, that then had infested the city of Milan, where the man lived and worked in 1576. The Angel of Death (you can see him above the scenery) was haunting the city and that holy man with his crucifix is standing inmidst the dead, the sick, and the hopeless ones, praying for God's help. His success in overcoming the plague is undenied and doing this he severely risked his own health. So: who was this man?

Carlo (or Charles) Borromeo was an extremely influental clerk: he studied civil and canonical law, restored the then sordid Archdiocese of Milan, he was a main character of the Counter-Reformation, and was hunting for protestants up to the most remote Swiss villages (hence the strong influence of Jesuits in the catholic Swiss cantons. He became persona non grata among his own ranks, and he only barely escaped a murderous attack, executed by four clerks. He has been canonized in 1610. I won't dig deeper here. He was an enigmatic person in a cruel era.

One last curiosity: his colossal statue that was raised in Arona, Italy, in 1697, was the biggest mountable statue in the world until the Statue of Liberty had been deployed in New York.

church
rome
italy
ceiling