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Bürgersaalkirche: Ceiling (pt. 3)Posted by MadScientist (Düsseldorf, Germany) on 27 July 2011 in Art & Design. Hermann Kaspar created these ceiling paintings in the early 1970s; this one depicts the assumption of St Mary. Kaspar (1904-1986), a friend of Albert Speer, was a renowned designer, painter, and professor both in Nazi and post-war Germany. The student protesters of 1968 considered him to be a parade example for the motto: 'The leading aesthetics is the aesthetics of the leaders' as well as the missed denazification of the German society. He stayed at the art academy nonetheless; the paintings in Bürgersaalkirche are belonging to his later works. Several German artists studied under him. Traces of the Speer connection can also be found in Düsseldorf; several architects from Berlin moved to here and transformed into proponents of modernism very quickly; they designed a lot of post-war landmarks, including several acclaimed main streets for making Düsseldorf a 'car-friendly city'. My (old) coffee-table book of selected postings. More MadScientist: eclecticimaging.tumblr.com, the guy behind this blog
Comments (4)
@Phil David Morris 2011: Too bad the originals were destroyed in '44! @Ronnie 2¢: Sometimes it seems better to ignore the details. @Heinz: Vielen Dank! @Ted: It's figural painting in a post-modern style. Reminds me a bit of El Greco, but more flat. |
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